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Orchestra "Russian Philharmonic". Area of ​​scientific interests

Job title: head of department
Academic degree: No
Academic title: Professor
Total work experience: 54 years old
Work experience in specialty: 54 years old
Disciplines taught:“Special instrument”, “Percussion ensemble”, “Methods of teaching percussion instruments”, “Preparation of musical educational programs”.
Name of areas of training and specialties: 03.53.02 Musical and instrumental art, 05.53.01 The art of concert performance, 04.53.01 Musical and instrumental art, 09.53.01 The art of musical and instrumental performance.

In 1969 he graduated with honors from the Ippolitov-Ivanov Music College, and in 1974, also with honors, from the Gnessin State Musical Pedagogical Institute (now RAM) (class of V.P. Shteiman).
Since 1977 he has been working at the Gnessin State Musical Pedagogical Institute-RAM in the Department of Wind and Percussion Instruments.
From 1981 to 2003 – soloist-timpanist, accompanist of the percussion group of the ASO Moscow State Academy of Arts.
In 2003, D.M. Lukyanov accepted an invitation to lead the percussion group of the Russian National Orchestra under M.V. Pletnev.
“D.M. Lukyanov is distinguished by virtuoso technical mastery of percussion instruments, a precise sense of style of the music performed, seriousness and depth of interpretation, creative search and passion in his work” - this is how People’s Artist of the USSR, laureate of the USSR State Prize evaluates his collaboration with D.M. Lukyanov , Professor V.N. Minin.

Paying serious attention to pedagogy and methods of teaching percussion instruments, D.M. Lukyanov creates a number of methodological works, collections of etudes, transcriptions of pieces written for other instruments and his own compositions for solo and ensemble playing of percussion:

  • “Formation of motor polyrhythm skills when learning to play percussion instruments” (Experimental study). Deposited manuscript, Russian State Library, Moscow 1986.
  • "Characteristics of the main forms of movements when playing with four sticks on two-row percussion instruments." Educational and methodological manual.

Among the works of D. M. Lukyanov: “Rhythmic dialogues”, “Etudes for timpani”, “Etudes for xylophone”, “Sketch and fugue” for percussion ensemble (quartet), “Scatter of rudiments” for percussion ensemble (sextet), “Suite "for piano and percussion (co-authored with N. Rogachev).
In 2009, the Moscow publishing house “Composer” published two collections with compositions by Dmitry Lukyanov - “Works for Percussion Ensemble” and “Exercises and Etudes for Timpani.”
Reviewing the performing and teaching activities of D.M. Lukyanov, People's Artist of the Russian Federation, Professor T.A. Dokshitser, in particular, points out: “Dmitry Mikhailovich Lukyanov is a bright and rare personality among orchestral musicians. Professionalism, competence, decency, intelligence, and personal character traits make him one of the leading figures in the performing and pedagogical arts of our country. “In both areas, his merits cannot be overestimated.”
Honored Artist of the Russian Federation, Doctor of Art History, Professor and Head of the Department of Interdisciplinary Specializations of Musicologists at the Moscow State Conservatory named after P.I. Tchaikovsky V.N. Kholopova notes “the extremely successful and fruitful activity of D.M. Lukyanov in the pedagogical, performing and methodological fields.” “Dmitry Mikhailovich Lukyanov,” she writes, “is a well-known teacher and performing musician who has acquired a strong reputation as the “father of laureates,” a brilliant soloist and author of progressive methodological works.”
D.M. Lukyanov participated in numerous CD recordings of the world's leading recording companies: Deutsche Grammophon, Virgin Classics, PentaTon Classics, etc.
Among the students of D.M. Lukyanov are soloists and artists of leading orchestral groups in Russia, over 20 laureates of All-Union, All-Russian and International competitions, 15 of them are first prize winners.
Graduates of D.M. Lukyanov’s class occupy leading competitive places in the best orchestral groups in Moscow:

  • Orchestra of the Bolshoi Theater of Russia conducted by V. Sinaisky: K. Semenov - Honored Artist of the Russian Federation, soloist, accompanist of the percussion group, laureate of the All-Union and All-Russian competition; V. Nosenko and S. Vetrov – orchestra artists;
  • GASO of Russia under V. Yurovsky: A. Bagirov – Honored Artist of the Russian Federation, soloist, accompanist of the percussion group, laureate of the All-Russian competition; N. Ermakov – orchestra artist; V. Terekhov and M. Putkov – orchestra artists, laureates of the All-Russian competition;
  • Bolshoi Symphony Orchestra named after P.I. Tchaikovsky conducted by V. Fedoseev: R. Sharaevsky – soloist-timpani player, laureate of International competitions; I. Krapenkov – orchestra artist;
  • RNO under M. Pletnev: L. Lysenko and laureate of the All-Russian competition I. Melikhov - orchestra artists;
  • NPR under V. Spivakov: Yu. Gridasov – orchestra artist;
  • ASO MGAF under Yu. Simonov: A. Bazik – soloist, drum group regulator; laureate of the All-Russian competition V. Martyanov, V. Gomyanin and S. Ampleev - orchestra artists;
  • Orchestra “Young Russia” conducted by Yu. Bashmet: A. Zubov – soloist, accompanist of the percussion group, laureate of the All-Russian competition;
  • Orchestra “Russian Philharmonic”: D. Utenkov – soloist, accompanist of the percussion group, laureate of the All-Russian competition; A. Dzyuba – orchestra artist, laureate of All-Russian and International competitions; R. Mamleev – orchestra artist;
  • Orchestra of the New Opera Theater: V. Sych – soloist, accompanist of the percussion group, laureate of the All-Russian competition; M. Sephanov is an orchestra artist, laureate of the All-Russian competition.

Lukyanov D.M. He has repeatedly conducted advanced training courses for teachers in Moscow and many educational institutions in different regions of Russia.
Topic October 27, 2017: “Analysis of historical gaps in children’s education in the field of percussion instruments” (“Directorate of educational programs in the field of art in Moscow” (GBU DPO Moscow “DOP SKI”).Course topic November 21, 2017: “Multipercussion: the basics of performing technique and methods for its improvement” (“Directorate of educational programs in the field of art in Moscow” (GBU DPO Moscow “DOP SKI”).

Department of History and Theory of Historical Science

Job title

Assistant professor

Academic degree

Candidate of Historical Sciences, Associate Professor

Biographical information

Born in Moscow on February 19, 1972. In 1996 he graduated from the Faculty of History and Archives of the IAI RSUH; 1996 -1999 - graduate school at the Russian State University for the Humanities: 2001 - Candidate of Historical Sciences, dissertation topic "The evolution of the intellectual foundations of scientific and historical knowledge in domestic historiography of the second half of the 1980s - 1990s." (specialty - 07.00.09; scientific supervisor, Doctor of Historical Sciences, Prof. A.P. Logunov). 1999 - 2000 - Intern teacher at the Department of Russian History of Modern Times, IAI RSUH; 2000 - Lecturer at the Department of Russian History of Modern Times at the Institute for the Humanities of the Russian State University for the Humanities; 2002-2003 - teacher of the department (department) of general political science and special political science disciplines; 2003 - Senior Lecturer at the Department of History and Theory of Historical Science, IAI, Russian State University for the Humanities; 2004 - senior lecturer, associate professor (2006) of the department of modern communication, social and political theories; 2009 - Associate Professor of the Department of History of Modern Russia at the Institute for the Humanities of the Russian State University for the Humanities; Since 2013 - Associate Professor of the Department of History and Theory of Historical Science.

Area of ​​scientific interests and scope of scientific activity

Modern historiography, intellectual history, theory and methodology of historical knowledge, historical psychology, communication science.

Publications

  1. Lukyanov D.V. The evolution of the intellectual foundations of scientific and historical knowledge in domestic historiography in the second half of the 1980s – 1990s. : abstract of thesis. ... Candidate of Historical Sciences: 07.00.09 / Ross. state Humanitarian University M., 2001. – 23 p.
  2. Lukyanov D.V. Historicization of modernity: selection of the past in social cognition of the late 1980s - early 1990s // “New Russia”: Power, society, management in the context of liberal values: Materials of the international. conf. Moscow, March 22, 2004. – M.: Russian State University for the Humanities, 2004. pp. 56–62.
  3. Lukyanov D.V. Communication strategies of culture and humanitarian technologies. Historiographical knowledge and humanitarian technologies of our time // Communication strategies of culture and humanitarian technologies. Scientific and methodological materials. Team of authors. Russian State Pedagogical University named after A.I. Herzen. – St. Petersburg: Book House LLC, 2007. P.74–102.
  4. Lukyanov D.V. Modern historiography as a humanitarian technology // Humanitarian readings of the Russian State University for the Humanities - 2008: Conferences. Scientific seminars: Sat. articles. M.: RSUH, 2009. P.179–196.
  5. Lukyanov D.V. Communicative space of historiography. Scientific ed. M.: “Ally”, 2011. – 64 p.
  6. Lukyanov D.V. Research practices of historical construction of reality in modern historiography // Modeling reality in the space of diversity: Humanitarian studies of social processes. International materials scientific conf. (October 25, 2012). M.: LENAND, 2012. pp. 10–24.
  7. Lukyanov D.V. From “disciplinary ontology” to the theory of modernity: historical and scientific knowledge at the turn of the 20th-21st centuries // “Wall and Bridges”: interdisciplinary approaches in historical research: Materials of the international. scientific Conf., Moscow, Russian State University for the Humanities, June 13–14, 2012. M.: Publishing House “Coincidence”, 2012. P.258–270.
  8. Lukyanov D.V. Historical strategies for constructing modern reality // Bulletin of the Russian State University for the Humanities. Series “Political Science. Social and communication sciences". M.: RSUH, 2013. No. 1(102). P.22–35.
  9. Lukyanov D.V. Cognitivism and historical knowledge // Dialogue with time. Almanac of Intellectual History. No. 44. M.: IVI RAS, 2013. pp. 34–43.
  10. Lukyanov D.V. Principles of historical construction of reality in modern socio-humanitarian knowledge // The World of the Historian: Historiographic collection. Omsk: Omsk State University Publishing House, 2013. Issue. 8. 104–122. Dmitrij Lukjanov Aggression der Sicherheit // Sicherheitskulturen im Vergleich. Safety cultures at the end of the 19th – beginning of the 21st centuries. Deutschland und Russland / UdSSR seit dem spaten 19. Jahrhundert. Germany and Russia / USSR: at the end of the 19th - beginning of the 21st centuries. Munhen, 2014. pp. 181–192.
  11. Lukyanov D.V. Aggression as a representative security practice // Bulletin of the Russian State University for the Humanities. Series “Political Science. Social and communication sciences". No. 1(123). M.: RSUH, 2014. pp. 117–128.
  12. Lukyanov D.V. [review] On some methodological and theoretical issues of modern historical science (reflections on the new textbook for universities “Theory and Methodology of History” / editor-in-chief V.V. Alekseev, N.N. Kradin, A.V. Korotaev, L. E. Grinin. - Volgograd: Teacher, 2014. - 504 pp.) // History and modernity. 2014. No. 2. P.162–174.
  13. Lukyanov D.V. “Cognitive” source study and historical knowledge // Current problems of source study: materials of the III International. scientific-practical Conf., Vitebsk, October 8–9, 2015. Vitebsk: VSU named after. P.M. Masherova, 2015. pp. 11–15.
  14. Lukyanov D.V. Search for a “theory of the present” and the possibility of achieving “nomological synthesis” in a global understanding of the historical // Global history: modern issues and historical approaches: Proceedings of the All-Russian scientific conference. from international participation. M.: IVI RAS, 2015. pp. 22–28.
  15. Lukyanov D.V. Ideological and political project of Soviet historiography // “The future of our past: new approaches and interpretations of historical knowledge.” Third international scientific Conf. Moscow, November 25, 2016. RSUH (electronic version). [Lukyanov D.V.] Chapter 1. Fundamentals of the professional culture of studying Russian history. Methodology, historiography, sources // History of Russia: textbook and workshop for academic undergraduates / ed. K.A. Solovyova. M.: Publishing house. Yurayt, 2016. 252 p. Series: Bachelor. Academic course. pp. 11-34. (in collaboration with P.A. Alipov, E.A. Arkhipova, E.V. Barysheva, S.P. Dontsev, N.V. Illeritskaya, D.I. Oleinikov, K.A. Solovyov).
  16. Lukyanov D.V. On the benefits of the “communicatological” understanding of the concept of scientific revolutions by Thomas Kuhn // Bulletin of the Russian State University for the Humanities. Series “Political Science. Story. International relationships. Foreign Regional Studies. Oriental Studies". No. 3(9). M.: RSUH, 2017. pp. 65–73.
  17. Lukyanov D.V. “Structure” and “events” of historiographic revolutions // “The Future of Our Past-4: Historiography of Revolutions and Revolutions in Historiography.” Fourth International scientific conf. Moscow, December 13, 2017. RSUH (electronic version). (0.4 a.l.)
  18. Lukyanov D.V. “Ducks” and “rabbits” by Thomas Kuhn: revolutionary changes in science and modern “communicatological” discourse // “Walls and Bridges – VI”: the practice of interdisciplinary research in history / Rep. ed. G.G. Ershova, comp. E.A. Dolgova; Cent interdisc. humanitarian research; Ross. state humanitarian univ. M.: Publishing house “Coincidence”, 2018. P.204–214.
  19. Lukyanov D.V. Contingent changes in the structure of historiographical revolutions // MAVRODIN READINGS 2018: All-Russian Materials. scientific conference dedicated to the 110th anniversary of the birth of Professor Vladimir Vasilyevich Mavrodin / Under. ed. Dr. History n. A.Yu. Dvornichenko St. Petersburg: Nestor–Istoriya, 2018. P.564–568.
  20. Lukyanov D.V. Divergent spheres of modern scientific revolutions: mediaography and historiography in the coalition of modern mediums // “Walls and Bridges – VII”. Interdisciplinarity: what is required of a historian, what is given, and what is taken from him? International materials scientific Conf., Moscow, Russian State University for the Humanities, May 24–25, 2018. M.: Publishing House “Coincidence”, 2019. 0.5 al.

drums

Lukyanov Dmitry Mikhailovich, Honored Artist of the Russian Federation, Professor of the Gnessin Russian Academy of Music.

From 1981 to 2003, soloist and accompanist of the percussion group of the ASO MGAF. In 2003, he accepted an invitation to lead the percussion group of the Russian National Orchestra.

“D.M. Lukyanov is distinguished by virtuoso technical mastery of percussion instruments, a precise sense of style of the music performed, seriousness and depth of interpretation, creative search and passion in his work” - this is how People’s Artist of the USSR, laureate of the USSR State Prize evaluates his collaboration with D.M. Lukyanov , Professor V.N. Minin.

Paying serious attention to pedagogy and methods of teaching percussion instruments, Lukyanov D.M. creates a number of methodological works, collections of etudes, transcriptions of pieces written for other instruments and his own compositions for solo and ensemble drumming.

Reviewing the performing and teaching activities of D.M. Lukyanov, People's Artist of the Russian Federation, Professor T.A. Dokshitser, in particular, points out: “Dmitry Mikhailovich Lukyanov is a bright and rare personality among orchestral musicians. Professionalism, competence, decency, intelligence, and personal character traits make him one of the leading figures in the performing and pedagogical arts of our country. “In both areas, his merits cannot be overestimated.”

Honored Artist of the Russian Federation, Doctor of Art History, Professor and Head of the Department of Interdisciplinary Specializations of Musicologists at the Moscow State Tchaikovsky Conservatory V.N. Kholopova in her response in 1995 to the decision to nominate D.M. Lukyanov for the academic title of professor emphasizes “the exceptionally successful and fruitful activity of D.M. Lukyanov in the pedagogical, performing and methodological fields. Dmitry Mikhailovich Lukyanov is a well-known teacher and performing musician who has acquired a strong reputation as the “father of laureates,” a brilliant soloist and author of progressive methodological works.”

Among Lukyanov’s students D.M. soloists and artists of leading orchestral groups in Russia, over 20 laureates of All-Union, All-Russian and International competitions, 15 of them are first prize winners.

Graduates of Lukyanov’s class D.M. occupy leading competitive places in the best orchestral groups in Moscow:

Orchestra of the Bolshoi Theater of Russia conducted by V. Sinaisky: K. Semenov - Honored Artist of the Russian Federation, soloist, accompanist of the percussion group, laureate of the All-Union and All-Russian competition, V. Nosenko - orchestra artist, S. Vetrov - orchestra artist

GASO of Russia p/u V. Yurovsky: A. Bagirov - Honored Artist of the Russian Federation, soloist, accompanist of the percussion group, laureate of the All-Russian competition, N. Ermakov - orchestra artist, V. Terekhov - orchestra artist, laureate of the All-Russian competition, M. Putkov - orchestra artist, laureate of the All-Russian competition

BSO named after. P.I. Tchaikovsky under V. Fedoseev: R. Sharaevsky - soloist-timpanist, laureate of International competitions, I. Krapenkov - orchestra artist

RNO p/u M. Pletnev: I. Melikhov - orchestra artist, laureate of the All-Russian competition, L. Lysenko - orchestra artist

NPR under V. Spivakov: Yu. Gridasov - orchestra artist

ASO MGAF p/u. Simonov: A. Bazik - soloist, drum group regulator, V. Martyanov - orchestra artist, laureate of the All-Russian competition, V. Gomyanin - orchestra artist, S. Ampleev - orchestra artist

Orchestra “Young Russia” conducted by Yu. Bashmet: A. Zubov - soloist, accompanist of the drum group, laureate of the All-Russian competition

Orchestra "Russian Philharmonic": D. Utenkov - soloist, accompanist of the percussion group, laureate of the All-Russian competition, A. Dzyuba - orchestra artist, laureate of the All-Russian and International competitions, R. Mamleev - orchestra artist

Orchestra of the New Opera Theater: V. Sych - soloist, accompanist of the percussion group, laureate of the All-Russian competition, M. Sephanov - orchestra artist, laureate of the All-Russian competition,

D. A. Lukyanov, I. N. Mikhailova

midi - NETWORK interface
music systems

Application of digital music
tools having the princi-
fundamentally new operational
our possibilities, reveals a number
new for household and music
electronics problems. One of them -
creating a simple, reliable and flexible
what kind of management system and inter-
actions of digital music in-

instruments combined into a group,
each of which contains its own
queue one or more processes
litter When organizing communication between
diverse musical instruments
ments found application of the principles
ways to create local computers
ny networks. In particular, cheap
a simple and reliable means of communication

zi has become accepted as a standard
ta de facto digital mu-interface
musical instruments (MIDI),
including a hardware standard
part and information exchange protocol
mation.

From a technical point of view, MIDI
is an ordinary asyn-
chronic serial interface
th exchange with transmission speed
31.25 kBaud current loop type, using
the current source in which is
information transmitter. Rev. speed
The change selected is a multiple of the clock hour -
tote of audio signal sampling
la to reduce the level of interference,

simplification of synchronization and possible
the software implementation of the acceptance
transmitters in some models
KMC. To reduce the level
MIDI bellows is electroplated
isolation between devices. For-
mat of transmitted information - bye -
brand new, and each package contains
one starting, eight information
on-line, one control and two hundred-
new bits. The check bit is always
yes equal to zero. The interface is easy to implement
lysed using LSI KR580IK51
(Fig. 1),

Local network of musical instruments
rumentov is a chain
point structure consisting of os-
new controller (in his role
the controlling computer acts
or the keyboard of one of the KMC), and
slave devices that can
transmit information to control
ler network at his request. Each mouth
swarm in the chain serves simultaneously
specifically a MIDI signal repeater
fishing for the next one. Such
communication system allows you to have two
control mode in the system, real-


lyzable by software add-on -
MIDI protocol. Registration protocol
laments the exchange of information in
networks with data blocks of various lengths
us-messages. In messages from
the command code is kept, the address is
receiver (channel number) and parameters,
specifying the command (Fig. 2, 3),
Accordingly, each receiver
connected to MIDI, selects from
flow of transmitted messages only


related to him coincidentally
your address with your login number
ical channel contained in
first byte of messages. Addresses at
Receivers can be installed either
hardware or software after
system reset commands
my MIDI system initialization,
i.e. in this way it is carried out
flexible switching of physical devices
attacks on MIDI logical channels
systems.

Type 1 - simultaneous control
all instruments. Implements-
using addressless commands, called
by system messages.
Such messages could be
start commands, system reset,
real time stamps required
suitable for mutual synchronization of mu-
vocal instruments.

Type 2 -- transmission of commands and para-
meters to individual devices,
It is implemented by including in the code the command
y receiver addresses. Broadcast
commands in MIDI switches the reception
nickname into standby mode, and then
few bytes (number of bytes
depends on the type of command) accepted
toil like the body of the message. The rest-
receivers ignore transmitted
bytes up to the next
total command byte. Transferred
the team can also initiate
transfer of information back to
controller, but since this happens
runs in only one of the modules,
conflicts during transmission over a single
no output line occurs.

Since the commands are different from
data installed by the senior bye
volume and the channel number code takes
there are four bits in the command byte (on
one MIDI output can be supported
connect up to 16 devices with independent
control) described by the protocol
count implies only limited
a set of command types. However
for their transfer it is only necessary
1 « 4 3 bytes, which corresponds to the output

with an average of 2000 commands/s. These

teams manage such fast-
changing parameters like
volume and frequency,

In order not to limit
use of the standard in the future,
there are also “exclusive
system messages", preliminary
marked by an addressless command - marked
kerom messages. The body of such a message
can contain arbitrary
number of information bytes,
in particular, indicating the identification
kator of the instrument to which it is
applies. All other devices
at the same time they also ignore the transmission
collected data. Exceptional co-
communication is analogous
sequences in text processing
botka and significantly expand the
selection of addressable devices and execution
operations, however, at the expense
reducing the speed of control
nia. This is not essential
disadvantage, because in this way
are most often transmitted quite
complex, but rarely executed
commands corresponding to reconfiguration
guration, rhythm programming
ical drawing, etc.

The appeal of MIDI is
is that with exceptional ease-
that is, it is quite functional
capable and extremely flexible
means of communication between digital devices
to the local network. Having emerged as
interface for musical instruments
cops with a clearly established meaning
scrap teams and specific models
musical synthesizers, MIDI
can be heavily used in
control of studio equipment
(tape recorders, mixing consoles)
tami, reverberators, etc.), and
also for creating industrial
local automated
measuring and control complexes
owls of average speed.

Autonomous digital
MIDI programmers that allow
unqualified user
I like a musician to remember the sequence
frequency of messages on the highway
when used as a con-
troller of the usual musical
keyboards, and then edit and
repeat this sequence.
Possibility of automatic formalization of pro-
the process of creating and performing music
cal works provided and
special programs and operations
electronic systems for personal
computers operating in their usual
notational terms for musicians
noah recording and control panels
synthesizers, and relying on
possibility of input-output via re-
assigned logical channels
MIDI,

Phone for inquiries: 132-65*86,

Specialist in the field of laser gyroscopy. In 1977–1998 – Head of the Department of ANUM, since 1998 – Professor of the Department of LINS LETI-SPbSETU.

[R. 07/31/1932, Leningrad]

Graduated (1957) with honors from the radio-technical faculty of LKVVIA. Ph.D. (1963), associate professor (1966), doctor of technical sciences. (1974), professor (1979). Since 1957 he worked as a technical engineer, deputy. head of the workshop at the Central Aviation Repair Base (Moscow Military District). In 1959-1963. - adjunct, 1963-1977 - teacher, researcher, senior lecturer at LKVVIA.

Head of the scientific school of laser goniometric systems. The main direction of the work is related to the problems of laser gyro-scopy, inertial navigation systems and optical information-measuring means of space complexes, for which the theory of global spatio-temporal filtering and adaptation to non-stationary disturbing fields of the atmosphere.

On its basis, unique examples of military and civilian equipment have been developed that have no markings. analogues. In 1963-1977 participation in the development of radio-electronic equipment for space objects. Until 1991, he led the seminar “Application of Lasers in Industry” at LDNTP. Organizer of all-Union conferences on laser topics. Author of more than 200 scientific works, including 4 monographs, published abroad. Member of the editorial board of journalists "Hy-ro-scopy and navigation", "Prior-building. News from universities", etc. Scientific secretary, deputy. Chairman of the public editorial board of the publishing house "Radio and Communications", "Soviet Radio" (1970-1991).

Honored Scientist of the Russian Federation (1996). Honorary worker of higher professional education in Russia. Order "Sign of Po-che-ta" (1985), medals.

Proceedings: Space radio-technical complexes. M., 1967 (co-author); Laser gyroscope. M., 1975; Laser measuring systems. M., 1981.