“The snow is still white in the fields, and the waters are already noisy in the spring.” Getting to know the landscape in the senior group. Nature in the poems of F. I. Tyutchev: analysis of the poem "Spring Waters"

F.I. Tyutchev is the author of many poems, but is better known for his works in which he described nature. One of the most famous collections lyric poems written during his work in Munich, where he lived and worked, but was very homesick.

Fyodor Ivanovich Tyutchev wrote his poem “Spring Waters” in 1829, while in Germany. In early spring he watched nature, noted how spring came to earth and wrote down all his observations in a poem. The style of the work is landscape lyricism; it was this method of writing that the author often used when creating his poems. The poem is written in iambic tetrameter and is easy to remember, so it was introduced into school curriculum junior classes. After all, even a very young person will be able to feel all the beauty and harmony of nature.

What is this work about, about nature, about the awakening of all living things from winter sleep. Although the snow still lies somewhere there in the fields, the ringing streams ran to tell everyone the good news about the arrival of spring on earth. With their loud, joyful cries, the streams wake up the entire sleeping area. They run, splash water, behave like children, disobedient and broken free. Nothing can stop these streams. And it seems that the beautiful spring itself, in the form of a young girl, is about to appear following the streams. And the May days, the guys, in bright painted shirts, having missed the spring girl ahead, stand with a timid look and wait for their turn. A little more time will pass, and the days of May will swirl everyone in a merry round dance. The poem is literally permeated with joy, gaiety and youthful enthusiasm.

F.I. Tyutchev wrote many poems dedicated to nature. And “spring waters” is one of the most famous and memorable. The author seems to have brought to life the main characters of his work. It would seem how water can say something, but in the poem the water streams scream, talk about the change of season, about the joy that has come to the earth. The author uses colorful epithets and descriptions in his writing. So, for example, only Tyutchev was able to give streams the role of messengers, spring the image of a young maiden, May days are represented by a group of rosy, cheerful youth. The beauty of nature, still sleepy after winter, the sounds of water, snow and the feeling of the arrival of spring - main topic poems.

How does the reader feel when he gets acquainted with the work “Spring Waters”. This is definitely joy, a feeling of anticipation for the arrival of something new and fun. It seems that a little more and the author himself will fall off after the streams. After reading the poem, the reader receives a charge of positive emotions, joy and a feeling of flight. The living power of a poem helps you look at the world in a new, more positive way.

In the poem, the author used such methods of expression as metaphor, personification, and repetition. All this helped make the work quite bright, dynamic, lively and positive. The description of the ongoing change in nature can be compared to the awakening human soul, the onset of spring and in the hearts of people.

Great ones about poetry:

Poetry is like painting: some works will captivate you more if you look at them closely, and others if you move further away.

Small cutesy poems irritate the nerves more than the creaking of unoiled wheels.

The most valuable thing in life and in poetry is what has gone wrong.

Marina Tsvetaeva

Of all the arts, poetry is the most susceptible to the temptation to replace its own peculiar beauty with stolen splendors.

Humboldt V.

Poems are successful if they are created with spiritual clarity.

The writing of poetry is closer to worship than is usually believed.

If only you knew from what rubbish poems grow without shame... Like a dandelion on a fence, like burdocks and quinoa.

A. A. Akhmatova

Poetry is not only in verses: it is poured out everywhere, it is all around us. Look at these trees, at this sky - beauty and life emanate from everywhere, and where there is beauty and life, there is poetry.

I. S. Turgenev

For many people, writing poetry is a growing pain of the mind.

G. Lichtenberg

A beautiful verse is like a bow drawn through the sonorous fibers of our being. The poet makes our thoughts sing within us, not our own. By telling us about the woman he loves, he delightfully awakens in our souls our love and our sorrow. He's a magician. By understanding him, we become poets like him.

Where graceful poetry flows, there is no room for vanity.

Murasaki Shikibu

I turn to Russian versification. I think that over time we will turn to blank verse. There are too few rhymes in the Russian language. One calls the other. The flame inevitably drags the stone behind it. It is through feeling that art certainly emerges. Who is not tired of love and blood, difficult and wonderful, faithful and hypocritical, and so on.

Alexander Sergeevich Pushkin

-...Are your poems good, tell me yourself?
- Monstrous! – Ivan suddenly said boldly and frankly.
- Do not write anymore! – the newcomer asked pleadingly.
- I promise and swear! - Ivan said solemnly...

Mikhail Afanasyevich Bulgakov. "Master and Margarita"

We all write poetry; poets differ from others only in that they write in their words.

John Fowles. "The French Lieutenant's Mistress"

Every poem is a veil stretched over the edges of a few words. These words shine like stars, and because of them the poem exists.

Alexander Alexandrovich Blok

Ancient poets, unlike modern ones, rarely wrote more than a dozen poems during their long lives. This is understandable: they were all excellent magicians and did not like to waste themselves on trifles. Therefore, behind every poetic work of those times there is certainly hidden an entire Universe, filled with miracles - often dangerous for those who carelessly awaken the dozing lines.

Max Fry. "Chatty Dead"

I gave one of my clumsy hippopotamuses this heavenly tail:...

Mayakovsky! Your poems do not warm, do not excite, do not infect!
- My poems are not a stove, not a sea, and not a plague!

Vladimir Vladimirovich Mayakovsky

Poems are our inner music, clothed in words, permeated with thin strings of meanings and dreams, and therefore, drive away the critics. They are just pathetic sippers of poetry. What can a critic say about the depths of your soul? Don't let his vulgar groping hands in there. Let poetry seem to him like an absurd moo, a chaotic pile-up of words. For us, this is a song of freedom from a boring mind, a glorious song sounding on the snow-white slopes of our amazing soul.

Boris Krieger. "A Thousand Lives"

Poems are the thrill of the heart, the excitement of the soul and tears. And tears are nothing more than pure poetry that has rejected the word.

(Illustration: Gennady Tselishchev)

Analysis of the poem "Spring Waters"

Messengers of spring

In his work, F. I. Tyutchev devoted many works to the description of nature, where he mainly depicted its dynamics, movement and variability. Almost all of his poems convey changes in nature: the change of bright colors of autumn, spring revival, approaching thunderstorm. The poem “Spring Waters,” which he wrote in 1830, can be attributed to landscape lyrics. It describes the period of early spring when:

The snow is still white in the fields

However, this is all that can remind us of the former power of winter, which covered the entire earth with a thick layer of snow to protect it from severe frost. But its hour has already struck, and spring has already fully come into its own:

And the waters are already noisy in the spring.

And all nature wakes up from the rapid flow of spring waters. With brilliance, sparkling and shimmering under the gentle spring sun, they run without getting tired:

They run and wake up the sleepy breg

They run and shine and shout...

Spring waters are the first harbingers of the final arrival of spring. The author shows this moment very vividly, dynamically, using movements and frequent repetitions of key words to enhance the significance. The next few lines, reflecting the mood of running spring waters, are the culmination of the verse; they are the most filled with significance, strength and energy:

“Spring is coming, spring is coming!

We are messengers of young spring,

She sent us ahead!”

And certainly, after such a stormy flow of spring waters, the warm May that most people dream of will come, after a long winter hibernation. The joy of the arrival of spring is reborn in the poem into the delight of the threshold May days:

Spring is coming, spring is coming!

And quiet, warm May days

Ruddy, bright round dance

The crowd cheerfully follows her.

Tyutchev’s poem “Spring Waters” is filled with dynamics and movement. In it, the author conveys the state of nature not with a landscape, but with a scene - in action. The arrival of spring crowns the “ruddy, bright round dance” of “warm May days”, which the author himself is looking forward to. And this expectation inspires and fills us with strength even more, like a long anticipation of something very desired. It is the stormy spring waters and the subsequent warmth and fresh greenery that are the most vivid image of spring.

F. Tyutchev wrote the poem “Spring Waters” in 1830, during his stay in Germany. The poet himself noted that spring in Europe is almost no different from Russian.

Main theme The poem is a description of early spring, when “the snow is still white in the fields,” the time of nature’s awakening from winter sleep. Compositionally the poem consists of two parts. The first part of the poem is devoted to the description of the earth that has not yet awakened ( "sleepy breg"). At night, winter still rules the earth thoroughly, but during the day the warm sun warms the earth, awakening the harbingers of spring - streams. Among the many signs of spring, Tyutchev chose one, its most characteristic feature - spring streams, which run like messengers, notifying with their joyful song everything in their path about the arrival of the long-awaited warmth. The second part of the poem is dedicated to waiting for the days of May, because real spring comes precisely in "warm May days". The anticipation of spring gives rise to inspiration and fills both nature and the hero with vitality.

A poem related to landscape lyrics, consists of three stanza-quatrains written in tetrameter iambic with cross rhyme.

The work is filled with dynamics: Tyutchev depicts the state of nature as continuous movement. Movement is conveyed using repetitions of words ( spring, coming, running, saying) and the saturation of the sketch with verbs ( they make noise, they run and wake up, they run and shine, they say). The poet also uses repetitions and direct speech ( “Spring is coming, spring is coming! //We are messengers of the young spring, //She sent us forward!”) to animate spring streams, identifying natural phenomena with humans. These techniques give special expressiveness to the poem.

Tyutchev's extraordinary artistic vigilance and his special poetic sensitivity in the selection of expressive means created a vivid image of spring. The poet uses a variety of palette of tropes: epithets ( "Ruddy, bright round dance", "young spring", "quiet, warm May days"), metaphors ( round dance of days, sleepy breg), impersonations ( "Spring is coming", "they say"), repetitions, allegory. The alliteration w, s helps to “hear” running streams of water, and the alliteration of the sonorous sounds b, bl, gl emphasizes the swiftness of the onset of spring. The feeling of the imminent victory of spring is also conveyed through the increase in intonation at the end of the lines and the use of three exclamation marks in the 12 lines of the poem.

The work also has a philosophical overtone: in the soul of every person there is a time of spring, when hopes like the spring wind come to life in the heart, bringing the joy of renewal and the expectation of happiness. Tyutchev, through an appeal to nature, reveals in his poem the world of the human soul, its aspirations and experiences.

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