This style is so modern that it has so far been defined only at the level of manifestos and exists in the form of separate objects that, repeating natural forms and designs, strive to be organic with nature.

Bio-tech how architectural style developed from the applied science of bionics, whose proponents seek answers in nature to solve complex technical problems. Leonardo da Vinci used the same principles: he observed birds when he embodied the idea of ​​​​an aircraft with flapping wings (ornithopter).

Architectural and construction bionics (one of the areas of bionics) studies the laws of formation and structure formation of living tissues, and also conducts analysis structural systems living organisms on the principle of saving energy, material and ensuring reliability.

A striking example of architectural and construction bionics is a perfect analogy of modern high-rise buildings and the structure of cereal stems, which are capable of withstanding heavy loads under the weight of the inflorescence. If the wind bends them to the ground, they quickly recover vertical position. What's the secret? It turns out that their structure is identical to the design of modern high-rise factory pipes, which are considered one of the latest achievements of engineering. In general, followers of bionics argue that most of the latest human inventions have already been embodied by nature, and humanity can endlessly draw ideas for development from it - as an example, the experience of Leonardo da Vinci is usually cited, who observed birds while designing aircrafts.

Bio-tech is not so much an applied as a philosophical concept, the meaning of which is to create a new space for human life as a creation of nature, combining the principles of biology, architecture and engineering. Therefore, objects built in this style are most often completely environmentally friendly - it assumes that buildings will become a natural extension of nature, not in conflict with it.

The most famous architects who created bio-tech building projects are Santiago Calatrava, Ken Young, Greg Lynn, Frei Otto, Michael Sorkin, Jan Kaplitsky, Nicholas Grimshaw, and Norman Foster. Most often they give public buildings, such as the City of Arts and Sciences in Valencia, the UK National Space Centre, the London Gherkin, the Milwaukee Art Museum. The problem of translating bionic ideas into residential buildings so far the fact is that direct copying of natural forms is impossible, since non-functional zones are formed in the architectural structure. The desire to combine aesthetics and economy poses many questions to the leaders of this style, some of which are resolved literally in the process.

Buildings in the bio-tech style are often asymmetrical, shaped like cocoons, trees, spider web- everything that is found in living nature. You can find buildings that follow the contours of an egg or house designs that look like mollusks. At the same time, natural forms are borrowed in different ways:

• Space is organized in the form of forms observed in inanimate nature. An example is an egg-shaped house designed by the Belgian architectural studio dmvA. Buildings may also take the form of nests or caves.
• Buildings repeat the shapes of animals, people or parts of their bodies (zoomorphism, anthropomorphism), as well as plants (phytomorphism). An example is the jellyfish hotel designed by Michael Sorkin.
• Materials similar to natural structures are produced (in the form of honeycombs, bubbles, fibers, cobwebs, layered structures).

Bionic architecture in its further development strives to create eco-houses - energy-efficient and comfortable buildings with independent life support systems. The design of such a house includes a complex. Solar panels, collectors for collecting rainwater are installed in buildings, terraces with green spaces are installed, natural lighting and ventilation are installed. Ideally, the house of the future is an autonomous, self-sustaining system that fits seamlessly into the natural landscape and exists in harmony with nature. Bionic style is equivalent in content to the concept of “eco-architecture” and is directly related to ecology.

Photo: novikov-architect.ru

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• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!
• Bio-tech in architecture and interior - the style of the future!

Architectural objects in the bio-tech style do not accept indifference; they are simply impossible not to notice in the mass of “correct” neoclassical and cubic buildings. Phyto-, zoo- and anthropomorphism - the main features of the modernist movement - transform commercial buildings, residential buildings, and now interiors into grandiose three-dimensional paintings, revealing the beauty and charm of nature's creations.

The founder of the modernist architectural style bio-tech (biotics) is considered to be the Briton Frank Lloyd Wright. He voiced his innovative concept of organic architecture in 1939 as achieving harmony with nature through the construction of structures designed in the likeness of living organisms. Wright and his followers (Greg Lynn, Michael Sorkin, Frei Otto, Ken Young, Jan Kaplicki) convince that in this way it is possible to achieve the true unity of three powerful forces: art, science and religion.

Bio-tech style in architecture and interior: features and traits

Originating in the struggle for ecological balance on the planet, modern bio-tech architecture and interiors strive for naturalness in everything: from images to materials. Ideal materials include ceramics, stone, sand, wood, glass, wicker, and natural textiles. Any object-image created by nature, capable of hooking and inspiring creation, can be reflected in a design project. Honeycombs, mollusk shells (Nautilus, Naucalpan de Juarez, Mexico), spider webs, human body parts, animals, insects and plants (Gherkin, London).

A significant difference that radically distinguishes bio-tech from other “natural” styles is the complexity and labor intensity of recreating structures found in nature. That is why at this stage of development the direction has not gained practicality. Exclusive finishing, for example, will look very natural and even grandiose, but will require considerable funds. In addition, due to the complex geometry, it can be difficult to maintain the functionality of the entire usable area buildings or houses.

At the same time, only wealthy customers can afford a beautiful, environmentally friendly and comfortable house or interior in this style (for now!), otherwise they will have to give up comfort and environmental friendliness in favor of a marvelous visual effect.

Casaricca: divine interiors for you!

Today, bio-tech is an intriguing and, thanks to its uniqueness, also a promising style in architecture and the art of interior design. And the Casa Ricca online store could not ignore such a shocking direction. You can also buy from us comfortable sofas in the shape of a bear, and crystal skulls, with images of wonderful insects, animals, mighty trees, as well as many other accessories worthy of your attention in the style you need. And if you want more, Casa Ricca Club will do it for you exclusive interior premium turnkey.

Biotek is modern direction in interior design. Basic distinctive feature style is that all elements of construction and decor, with their shape and lines, resemble various objects of living nature. This is one of the youngest trends; so far there are very few buildings built in this style, although they have made a splash with their popularity. For example, the headquarters of one London insurance company was built in the shape of a cucumber. However, you can find apartment renovations, the design of which in the photo will be in the biotech style. The style was born out of public interest in environmental issues.

The biotech style involves the use of soft, natural colors. In addition to the fact that this style makes you closer to nature, it also has a beneficial effect on the psyche, relaxing with its delicate shades. In addition to green tones, the style can also use pink, orange, and yellow, which resemble flowers. To create a project to renovate an apartment in this style, you need imagination and love for nature. All elements of the apartment are made as if you are in nature. For example, it is advisable to paste the ceiling with blue wallpaper that will resemble the sky; it can be covered with stars glowing in the dark, which will give you the feeling that you are wandering through Milky Way. A photo of the renovation of a corridor in an apartment in the biotech style may completely amaze you: you will feel as if you are in a greenhouse, in a green arch of climbing vines.

The apartment should contain a variety of plants and living indoor flowers. Floor finishing should be made of natural wood. In general, when decorating a room, it is recommended to use natural materials, because one of the main goals of style is to be environmentally friendly.

The decor of the room should be full of natural things: a wicker rocking chair, clay vases and jugs, stones and sand in a glass tabletop, fern leaves, wooden lamps, the use of linen and silk fabrics, dyed in natural colors.

It is also worth remembering that all forms of the interior must have an original in living nature, for example, the legs of chairs can look like tables, bedside tables can be lined with tree bark. Figurines of different animals can decorate the shelves of sideboards, sofas, coffee table. Fur rugs the naturalness of the design is also emphasized. However, do not forget that, first of all, the style was invented to support the environment, so you should not use the fur of exotic animals.

Bio-tech is a direction in architecture, which, in contrast to high-tech, refers not to elements of constructivism and cubism, but to natural forms. Followers of this style strive to embody unusual design green building principles.

The bio-tech style developed from bionics, an applied science whose proponents seek inspiration from nature to solve complex technical problems. Leonardo da Vinci used similar principles when he designed aircraft by observing birds.

It is believed that in modern times the first step towards the development of the bio-tech concept was taken by the British architect Frank Lloyd Wright in 1939. According to him, architectural structure must be similar to a living organism that grows in accordance with the laws of nature, in harmony with environment. He called this unity of art, science and religion organic architecture. In the era of the dominance of strict forms of neoclassicism, these theses sounded completely unexpected and new.

Bio-tech in the modern sense arose at the end of the 20th - beginning of the 21st centuries and is still at the stage of formation.

Buildings in the bio-tech style are often asymmetrical, in the shape of cocoons, trees, spider webs - everything that is found in living nature. You can find houses that look like mollusk shells, or buildings that follow the contours of an egg. At the same time, natural forms can be borrowed in different ways:

• Space is organized in the form of forms observed in inanimate nature. An example is an egg-shaped house designed by the Belgian architectural studio dmvA. Buildings may also take the form of nests or caves.
• Buildings repeat the shapes of animals, people or parts of their bodies (zoomorphism, anthropomorphism), as well as plants (phytomorphism). An example is the jellyfish hotel designed by Michael Sorkin.
• Materials similar to natural structures are produced (in the form of honeycombs, bubbles, fibers, cobwebs, layered structures).

Bio-tech embodies a philosophical concept, the meaning of which is to create a new space for human life as a creation of nature, combining the principles of biology, engineering and architecture. That is why houses in this style most often become environmentally friendly. Solar panels are installed in buildings, collectors for collecting rainwater, terraces with green spaces are arranged, preference is given natural light and ventilation.

Sometimes natural forms are used to solve difficult engineering problems not directly related to architecture. For example, the artificial island of Palm Jumeirah in Dubai is created in the shape of a date crown. It is this form that provides the optimal ratio of duration coastline and the length of the path to the residential facilities furthest from the palm tree root.

City of Arts and Sciences in Valencia.

The City of Arts and Sciences in Valencia is an extensive scientific and cultural leisure complex whose history began in April 1998 with the opening of the Emisferique (IMAX).

The City of Arts and Sciences has an area of ​​350,000 m2 and is designated as a “city within a city”. This large open geographical space is a recreational area based on the idea of ​​cultural and intellectual entertainment and is the largest center of its kind in Europe.

The design of the 22nd century city was designed by Valencian architect Santiago Calatrava and launched in July 1996, also an impressive example of the development of modern architecture in Valencia.

Milwaukee Art Museum and its "Sunny Breeze"
In 2001, a new art museum was built in Milwaukee, designed by the famous Sagnogo Calatrava. The museum building itself is unusual and is a work of futuristic art. The biotech style is very original, so one can say about the shape of the museum: “something snow-white with huge wings.” And this winged composition crowning the art museum is called “Sunny Breeze”. The wings span more than 60 meters, and when it is cloudy they can fold together. The Milwaukee Art Museum displays about 25 thousand works of art. The museum is famous for its largest collection of works by German expressionists. Native art is also widely represented.

"St. Mary Ax, 30" - bio-tech in the City

The tower “St. Mary Ax, 30” in the bio-tech style, popularly known as “The Gherkin” for its elongated round shape, was built by the Swedish company Skanska in 2001–2003 according to the design of Norman Foster. The owners are IVG Immobilien and Evans Randall. The 40-story building, 180 m high, stands in business center London.

Floors 16 to 34 are rented to companies, including Standard Life Employee Services, ARES Capital Europe, Kirkland and Ellis, Deutsche Pfandbriefbank and others.

But the Gherkin is not only an office building, it is also a place for recreation and entertainment. The top floor under a glass dome is occupied by a first-class restaurant and bar-lounge, which are managed by Searcy’s. During the day, the establishments are open to employees and guests of the building, but in the evenings anyone can rent these premises for celebrations.

On the 38th floor there are five banquet halls, which is also operated by Searcy's. All of them are available at any time of the day.

30 St Mary Ax was London's first green office building. The structure consumes half as much electricity as other buildings of this type, since energy is used solar panels. In addition, spiral shafts evenly distributed along the outer shell provide natural ventilation and let them pass sunlight to the premises.

This tower does not have the atmosphere of a buzzing beehive; it is light and spacious. The premises are designed taking into account that there should be at least 10 m² per person.

The London Gherkin has received numerous awards. So, in 2003 it was recognized as the skyscraper of the year according to Emporis, and in 2004 at the Clerkenwell Biennale - the best new building in London. In addition, the building received an honorable mention at the International Highrise Award in 2004.

Interesting facts:

• The open area in front of the building (2,000 m²) is comparable in area to eight tennis courts.
• Theoretically, the Gherkin can accommodate 4,000 office workers.
• 16 high-speed elevators can simultaneously move 378 people at a speed of 6 m per second.
• The total area of ​​the tower's external glazing is 24,000 m² - the size of five football fields.
• The height of the Gherkin is three times higher than Niagara Falls.
• The ceiling height is 2.75 m - more than the height of the tallest person on the planet (2.72 m).
• The circumference of the most spacious floor is only 2 m shorter than the height of the structure.
• Restaurant and bar on top floor- the highest in London.
• During construction, there were never more than 500 people on site at any one time.
• The only place in the building where curved glass is used is the dome.
• In the first phase construction work A burial site dating back to Roman rule was discovered. While the construction of the tower continued, the remains were kept in the London Museum, but upon completion they were laid in the foundation.

Nautilus House - the apotheosis of organic architecture

+ The inhabitants of the Nautilus must feel like inhabitants of the deep sea

HISTORY OF BIO-TEK

This style originated in a period when engineers were looking for answers to complex technical problems and turned to natural forms for help. We can see the first notes of bionics in his works - while observing birds, he created flying machines.

But when did bio-tech take root in architecture? They say that this interior was created by the British architect Frank Lloyd Wright in the mid-20th century. Frank was convinced that furniture and houses should be similar to living organisms. According to him, bionics should connect art, religion, science and nature. The emergence of bio-tech as an architectural style dates back to the end of the 20th century, but continues to develop to this day.

BIO-TECH ARCHITECTURE

If you look at the interior in this style, you will see a complete lack of symmetry. This is explained by the approach to natural forms - cobwebs, trees, cocoons, hills, beehives, etc. With the help of bio-tech, designers carry their philosophy and create a unique space for human habitation. By the way, in order to bring bionics as close as possible to nature, the interior in this style is environmentally friendly. Bio-tech is contemplative in nature, so the interior environment should be calming, peaceful and without clumsy details.

COLOR SPECTRUM

You can design your interior in a minimalist style and dilute it with some interesting element from bionics. One of the chairs may resemble a tree stump, or all the legs of minimalist furniture may resemble tree roots or stones. True, you are unlikely to find such furniture in a store, so you will have to make it to order, and this is not a cheap pleasure. If you want something cheaper, buy it furniture set, bookshelf or a coffee table that follows the shapes of plants, stones or animals. Well or in as a last resort - upholstered furniture can be purchased with upholstery imitating natural materials. Yes, and don’t forget the main rule of minimalism - everything should be hidden, functional and concise.

MATERIALS

Bio-tech and minimalism are close in this matter. Both of these styles do not tolerate an abundance of electronics in the house - everything should only fit into the theme and only what is necessary so as not to clutter up the space. Ideally, household and electrical appliances are disguised and hidden in furniture, the only exceptions are lighting, stylized as natural objects, home theater, computer and TV.

DECOR AND ACCESSORIES

All interior and decor items undergo minimal processing. Everything should be as natural as possible. The main decor of a minimalist apartment with bio-tech elements are living plants that recreate unity with nature. Just don’t overdo it, because your main direction is minimalism, and with bionics we only dilute its conservatism and severity. You can place a clay jug or vase on the rack and place it on the tables decorative stones or sand (ideally, place them between several tabletops, creating original composition). Naturalness can be emphasized by carpets made of fur or stylized as a meadow or lawn.

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